Broadcasters beat their chests about the pride of being live and local, which can be an advantage. But local is more about relevance than geography. Great performance beats local, but local is a tremendous advantage. Unfortunately, there’s more syndicated and voice-tracked non-local programming on the radio today. Fortunately, programmers can have the best of both worlds. It’s possible to sound local even if the content is not generated in your city.
How To Sound Local With Non-Local Programming
Whether carrying a syndicated show in the morning like Free Beer & Hot Wings or relying on a 24/7 format, programmers can project a local connection while running a syndicated show just by being creative with the tools available.
First, fully embrace the show. Many programmers ignore key time slots because the show originates from another city. That’s a fatal mistake. If Bobby Bones is on the air in the morning, Bobby Bones is your morning show. Treat the show as if it were local. Each syndicated show should be programmed, promoted, and optimized as if it were local.
Involve Local Talent
Even the most understaffed stations have at least one local personality. Use them as spokespersons to introduce and promote syndicated personalities. Train each host, traffic personality, and news anchor to introduce the syndicated program or personalities creatively.
If Ryan Seacrest follows the local morning host, promote it by introducing the next show. Here’s an example:
"Desiree’s boyfriend bought her a fake bag and he’s caught. Find out what happens in a new group therapy Tomorrow morning at 7:10. And Ryan Seacrest has inside information on Kelly Clarkson’s stunning reveal from her TV talk show yesterday. Ryan dishes the dirt next on WXXX."
Similarly, newspersons should throw to the talent coming out of an update.
"For updates on these stories and more, visit wxxx.com. now laugh along with Jubal’s PHone Tap on WXXX."
Some music stations use local traffic talent in local breaks. Train them to introduce the talent when going back to the show.
"With up-to-the-minute traffic, I’m Peppy with The Morning Hustle … on WXXX."
Use Local Liners
Every syndicated personality is willing to record local liners for any affiliate. Most will record as many as you want, anytime you want. They usually deliver the audio the same day or the next. Use this opportunity and be creative with liners that:
- Mention local landmarks, streets, neighborhoods, and celebrities.
- Promote other air personalities, features, contests, and station benefits.
- Introduce other personalities and shows on the station.
- Sell contests, appointment tune-ins, and promotions.
Be sure to provide correct pronunciation and whatever background the talent needs to sound like a local.
Promote Other Personalities
This is an easy way to sound involved with your station. Send the syndicated show a page full of liners and promos that promote other personalities on the station with various lines to talk about them.
For example,
"Hey it’s DeDe in the Morning…I’m back tomorrow morning at 5, but now..here comes (city’s) best music with Peppy and Zippy on (station)."
Use Listener Testimonials
Listener testimonials are a great way to add credibility to a station. Direct some of those to promote the syndicated show and include local mentions. For example:
"Hey, this is Thomas from Lakeview. The Bert Show makes me laugh through the traffic on the 805 each morning. Thanks, guys."
Use them during the show, when rejoining the syndicated show, and as part of station promos. Go here for details on creating effective testimonials.
Acknowledge Listeners And Winners
Use the syndicated talent for winner promos and announcements as much as possible. A simple message like this sounds great:
"Hey, it’s Elvis Duran. We’re thinking about taking next week off to go to the Bahamas with (winner name). Yeah, she chose us as her guest after winning (contest). Wait. She’s taking her husband instead? Dammit. Oh well. Congratulations (winner) and thanks for listening to (station)."
This is not hard to do if you are organized and work ahead.
Another contest tip: Use non-local hosts to record contest solicits to trigger a contest in other time slots.
Local Identification
Most syndicated show clocks are built for frequent local identification. Use every opportunity to fill it with local content. Don’t just add generic material. That goes for IDs coming out of talk breaks, into stop sets, and even the breaks between songs on music stations.
Sure, it takes time to set up, but once established, it’s easy to manage. This is one of the easiest ways to make a show sound like yours.
Similarly, most syndicated hosts are willing to endorse local businesses. Take advantage of it. It’s a great way to generate revenue, and it helps the personalities sound connected to the community.
Make sure you understand the talent fee structure. Some syndicated hosts charge for commercial reads, while others (like Free Beer and Hot Wings) do it for no added cost.
Local Features
Local breaks don’t have to be jammed with commercials. Include local features when appropriate. Just because the clock says “news” doesn’t mean news has to be programmed there. Use it creatively. This may be a good slot for a short commentary from another host, promoting his or her show later in the day.
For example:
- Concert updates.
- Local activities and events.
- Local news.
But don’t just jam them in the break. Ask the show hosts to record intros and outros to sound like part of the show.
Conclusion
Local radio is important. It can be the voice of a community and comfort when tragedy strikes. Some programming does not originate locally, but syndicated shows can sound local with a little effort. In fact, a well-programmed show can sound more local than the competition broadcasting from Main Street.
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